History of bauhaus typeface9/11/2023 ![]() However, in 1920 Bayer became intrigued by Gropius’s new endeavor, and in 1921 enrolled at the school, studying under Kandinsky, Klee, and Moholy-Nagy. He initially trained as an architect, and in the late 1910s was part of the Darmstadt Artist’s Colony, falling under the influence of that group’s Jugendstil or Art Nouveau principles, as well as its emphasis on the idea of the ‘total work of art’. ![]() Herbert Bayer was one of the younger members of the Bauhaus’s golden generation, born in Austria in 1900. It has led to the rethinking of the “fine arts” as the “visual arts”, and to a reconceptualization of the artistic process as more akin to a research science than to a humanities subject such as literature or history. Various aspects of artistic and design pedagogy were fused, and the hierarchy of the arts which had stood in place during the Renaissance was levelled out: the practical crafts – architecture and interior design, textiles and woodwork – were placed on a par with fine arts such as sculpture and painting. The stress on experiment and problem-solving which characterized the Bauhaus’s approach to teaching has proved to be enormously influential on contemporary art education. Although the Bauhaus abandoned many aspects of traditional fine-arts education, it was deeply concerned with intellectual and theoretical approaches to its subject. ![]() The Bauhaus aimed reunite fine art and functional design, creating practical objects with the soul of artworks. The origins of the Bauhaus lie in the late 19th century, in anxieties about the soullessness of modern manufacturing, and fears about art’s loss of social relevance. The school is also renowned for its extraordinary faculty, who subsequently led the development of modern art-and modern thought-throughout Europe and the United States. But by the mid-1920s this vision had given way to a stress on uniting art and industrial design, and it was this which underpinned the Bauhaus’s most original and important achievements. All of these movements sought to level the distinction between the fine and applied arts, and to reunite creativity and manufacturing their legacy was reflected in the romantic medievalism of the Bauhaus ethos during its early years, when it fashioned itself as a kind of craftsmen’s guild. The Bauhaus was influenced by 19th and early-20th-century artistic schools such as the Arts and Crafts movement, as well as Art Nouveau and its related styles, including the Jugendstil and Vienna Secession. Its approach to teaching, and to the relationship between art, society, and technology, had a major impact both in Europe and in the United States long after its closure under Nazi pressure in 1933. ![]() The Bauhaus was arguably the single most influential modernist art school of the 20th century. ![]()
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |